The starkest of contrasts, black and white, distinguishes Ansel Adams' art and color codes the natural by technologic device. So too did Miles Ertman color morality in his New York skyline panorama while the World Trade Center still stood tall and proud. I have coupled Adams September photo of Colorado aspens straight but fragile with the Erman poster entitled Morality Made Visible on a simple, white, student display board. (Read more...)
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