| | Hi, Kevin. >>Indeed, if IP was abolished, the immense amounts of money that are made thanks to its existence would probably disappear, and rather quickly I imagine. I don't buy the notion that contracts can completely take up the slack created by IP, since their a part of IP's power (especially since some of the proponents of the abolishment of IP are also anarchists of one stripe or another!). The market would change, but the market has had major changes before, and would survive.<< You are right. In the absence of statutorily protected intellectual property rights, which presently distort the market, the market would change and, of course, survive. I'd say, thrive. The market would shift from rewarding those who have expressed an idea to those who have labored to physically manifest that idea, from a preliminary blueprint to the manufacturing process to the finished product. An undistorted market would shift its rewards to whomever among the originator, the designer, and the producer makes the most valuable contribution in turning a particular idea into a sellable product. Presently, the federal government arbitrarily rewards the originator with a monopoly that gives him an unwarranted bargaining power with designers and producers. So, you're also right that contracts may not "take up the slack created by IP". Contracts will more accurately reflect where the real bargaining power lies among originator, designer, and producer. By all means be suspicious of certain calls for the abolition of intellectual property. I will agree that even if there shouldn't be a federal copyright law, customers of outfits like Napster simply wanted something for nothing. No doubt if there were no copyright law, artists would have protected their works from unauthorized copying by contract. However, as I noted in my post to Joe Rowlands, an artist CANNOT make such a binding contract with anyone because copyright law already requires all of us to forbear from making unauthorized copies. Well, what I'm getting at with this Napster digression is that justice does require that a value received be exchanged for a value given. While intellectual property rights do not dismantle this exchange, they distort it. Furthermore, it wrecks havoc upon private contracts, so that artists who are willing and prepared to control the dissemination of their works by voluntary agreement (as opposed to state enforcement) cannot do so. Hence, sharp operators like Napster arise to seize value through the cracks in the government's intellectual property scheme. Thus, intellectual property rights are less effective in ensuring that values are exchanged than a return to old-fashioned contract law. Regards, Bill P.S. I haven't mentioned it in this thread so far, but I must give Regi Firehammer credit for changing my mind on copyright. I was halfway there on the abolition of IP as far as patents go, and Regi's iron logic gave me no choice but to go the rest of the way on copyrights. P.P.S. By giving credit where credit is due, I do not wish to imply that I am reflecting Regi's ideas regarding contract law and copyright. These ideas are my own. Regi of course would be a wise fellow to copy them to the increase of his own mastery of this subject. ;)
(Edited by Citizen Rat on 6/28, 2:28pm)
|
|