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Monday, June 18, 2012 - 3:56pmSanction this postReply
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Deanna,

Thanks for posting this interesting piece. I like how the responses tended to be stern. It's obvious the guy was short-cutting a school assignment with a cunning plan of simply writing directly to professional authors (instead of sifting through all of their work and working to develop a defensible and independent conclusion via the use of his very own mind). Their stern replies make me think of "the good ole' days" where respect was earned and sometimes not without getting a bruised ego in the process.

:-)

I would have expected that at least some of the authors would have admitted to the intentional use of symbolism in their work, but I can't remember even one of them that did. I wonder why that is? Was it because none of them ever did intentionally use symbolism, or were at least some of them lying about this?

Ed



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Tuesday, June 19, 2012 - 3:59amSanction this postReply
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My contrary view is simply to ask the authors directly what they were thinking rather than trying to "armchair psychologize" them.

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Tuesday, June 19, 2012 - 8:27amSanction this postReply
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I was actually more interested in the discussion following the article.  Multiple commentors thought Rand was rude and some went on to denigrate her work (no surprises there).  A couple of people asked why she didn't follow up her answer with more information.  They ask if she felt the student's definition of symbolism was incorrect, why didn't she provide a correct one? 

I'm not too concerned about why she didn't provide a corrected definition.  But I do wonder what her definition would have been.


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Tuesday, June 19, 2012 - 11:03amSanction this postReply
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I found it interesting that the responses were so varied, and even, contradictory with each other.

But the general takeaway, for me, was the majority sense that writing is not like 'paint-by-number' --including any conscious consideration of consciously injecting symbolism.

I'm also not sure what a conscious consideration of unconsciously injecting symbolism would be like? The questions are implying a conscious consideration of that question...

How do successful writers define success? I'm not sure they all do that the same way, but the way history defines successful writers is pretty much that many folks willingly seek to read their writing...

Is there another rule of success that rivals that fundamental rule of success? "Critically acclaimed?" By whom? Folks who are not successful writers, largely. Never understood that one...


If so, it must be way down on the list, I'd think, and I doubt there is any 'write-by-number' method of achieving writing success that can actually be taught; that doesn't stop folks from trying, however(to teach successful writing.) It is an entire industry.

I don't mean 'teach to write.' That is done reasonably well in our schools. At the least, well offered. But, teaching 'successful writing.' How to be the next Hemingway, etc. Not readily bottled and sold, I would think. Questions like the ones raised in the article try to peel away the onion, but it might not even be an onion that needs to be peeled away.

Do successful writers aim to be successful, and follow a formula, or do they just write and become successful? I sure as Hell don't know, but I suspect the latter.

regards,
Fred


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