| | The Merchant of Venice is a fairy tale which takes place partially in a fairy tale town of Belmont, where Portia lives with her maid, Nerissa, and Venice, which is the city of commerce where serious business dealings take place. It is in Venice where Antonio offers to front a loan for his friend, Bassaino, who loves Portia and needs some money to woe her properly, to buy her presents and look good for her. Bassiano meets with Shylock, a Jew who loans money for interest, and the three men meet to determine the terms of the contract. There is some history between Antonio and Shylock. Antonio has been unkind to Shylock, has discriminated against him because he is a Jew. Shylock still agrees to loan the money if he can collect a pound of flesh from Antonio if the loan cannot be repaid. Antonio, thinking that his ships will come in, agrees to the terms.
In Belmont, Portia’s dead father has arranged a lottery to determine who should marry his daughter. There are three caskets or boxes. One is gold. One is silver, and one is lead. One of the three boxes has a picture of Portia in it. If a suitor chooses the right box, he gets to marry Portia. If he does not, then he has to leave right away.
Now the first two bachelors choose gold and silver, but they don’t get the right box. Then, Bassaino comes along and chooses the right box. This is great for Portia because she actually loves Bassaino. It is fortunate, fairy tale like, that things worked out this way. In real life, one of the other men could have inadvertently chosen the right box.
Bassaino also does the right thing in not claiming her as his prize. He lets her decide if she wants to be bound by the terms of that agreement. She does, and everything is fine.
However, they hear that Antonio’s ships had problems at sea and were lost. Antonio will have trouble paying back the loan to Shylock, who could demand his pound of flesh.
Portia, who is wealthy, offers to give Bassaino three times the money to pay back the loan, and Bassaino immediately departs back to Venice to help out his friend Antonio. Before he leaves, Portia gives him a ring as a token of their love and bids him never to be without it. Narissa, Portia’s maid, also falls in love with Bassaino’s servant, Gratiano, and gives him a similar ring.
As soon as the men are out of sight, Portia has an idea of how to help her new husband and his friend, Antonio. She proposes to disguise herself as a man and act as a lawyer at the hearing where Shylock will demand enforcement of the contract. It’s cute the way she talks about how she will, as a boy, brag about all the maids whose hearts she has broken. She and Narissa dress up and leave for Venice.
In the meantime, Shylock is having problems of his own. His servant, Lancelot, leaves to serve Bassaino, and his daughter leaves to marry another Christian. He is in a bad mood when he gets to the court. He insists on his pound of flesh from Antonio. It is not that he can do anything with it. It is just good revenge for what Antonio has done to Shylock in the past.
In some ways, Shylock represents the stereotype of Jews as unprincipled moneylenders plotting to do harm to Christians. However, we get to see a human side of Shylock. He makes one of the compelling speeches about the universality of man. He says:
Quote: …Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me I will execute, and it shall go hard but I will better the instruction.
With this speech, we see things through the Jew’s eyes. He is a well developed character, not just some evil villain for whom we have no sympathy. Yes, he is still the villain. He has faults in being too stubborn here, but things are not just black and white. This is not a characterization of Jews that would feed Hitler’s image of them.
Anyway, Shylock does insist on his pound of flesh and is not interested in the money Bassanio offers.
The judges recognize a lawyer and his assistant who are actually Portia and Nerissa in disguise. Portia points out that Shylock can have his pound of flesh, but will meet with very grave consequences if one drop of blood is lost. The contract is only for a pound of flesh. She also points out that conspiring to take someone’s life is a crime, so Shylock could be punished by the court already.
Shylock immediately backs off his claim and wants to be let go. The court, however, orders that he give some of his money to Antonio and some of it to his daughter. He leaves a broken man.
Portia and Nerissa request payment for their services to be the rings their husbands are wearing, and the men reluctantly part with the rings. Portia and Nerissa beat their men home to Belmont and ask about the rings. The men have trouble trying to explain things to the women, and the women have fun talking about how they would have the lawyer and his assistant lie in the same bed with them. They finally reveal that they were the lawyer and the assistant, and everything is fine. Also, there is word that Antonio’s ships finally came in and he is rich after all. Everything ends well except for poor Shylock.
It would have been nice if Shakespeare would have written a play where a Jew is the hero and gets the girl in the end. Perhaps history would have been different.
bis bald,
Nick
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