| | I have something different to say.
I'm going to agree resoundingly with all of you, because I've had the same experiences in life, and then, as I usually do, I'm going to point my lens of objectivity in the "sacred cow" direction.
In both The Fountainhead and Atlas Shrugged, the lead male characters were tall and lean, with chiseled good looks and hair, and described with a stature that could only inspire reverence from others... The archetypal Princeton fraternity look.
Howard Roark was not average-looking, stocky... and definitely not short.
In addition, both the lead female characters from these books were the most gorgeous females in the stories, hands down. And again, they fit the same stature: tall, lean, hair and clothes flowing. The film version of The Fountainhead was produced with much direction from Ayn Rand herself, who had always pictured Gary Cooper for the part, with an equally statuesque Dominique.
There was no stocky or short Dominique, and she definitely wasn't plain-looking.
What this all brings me to, is this: Why would a writer like Rand -- and I'm sorry that I must say this -- with a, shall we say, "face for radio", have so little faith in the power of a less-than-gorgeous person to be respected by others?
I think the answer is obvious: Because despite all our heartfelt aspirations toward fairness and all our optimistic talk, we still tend to reflexively respect classic, mathematical proportions of body design and facial features. People truly do instantly and more profoundly respect a male who is tall, above all other males, and a female who is shapely and with a child's face, above all other females.
What law says that such people automatically have to be the bearers of superior virtue? Does such a thing tend to actually happen, as a function of their beauty?
If you are born toward the statuesque end of the physical spectrum, does society treat you so well that it bolsters your sense of self-confidence and self-reliance to a Roarkian or Dominiquian degree, where you feel sure that you can eventually triumph over life through bold living? If you are born toward the less-than-statuesque end, by contrast, does society treat you so poorly that it erodes your sense of self-confidence and self-reliance to an abyssmally low Ellsworth Toohey-an degree, where you feel sure that you can only eventually triumph over life by underhanded living?
I'm surprised that no one ever called Rand to task on this, while she was alive... Why would she create characters of nobility that looked practically nothing like her? Why not homely heroes?
In this respect, I think that Shrek has her beat.
For example, notice that the comic book character "Wolverine" has always been a fan favorite... yet he is shortish, stocky, and hairy. A foul-tempered ground animal. And yet still the number one hero in all of comics for many, many years, in reader's polls.
But what did film studio executives do with this particular character when it came time to make a movie? They made him TALL... and not just tall, but the tallest hero on the team. Taller, even, than Cyclops. And Cyclops was always the "pretty boy" of the team, in the comics... he should have been the tall one.
Why make him so tall? Because the studio executives know what so many of us just can't depressingly bring ourselves to admit; that most of society can only find a tall male heroic.
But is my criticism fair? Well, in the movie "Hero" with Dustin Hoffmann, Hoffmann's character was the actual hero, but Andy Garcia's character got all the credit. Why? Ultimately, it was because Garcia was better suited for the limelight, and everybody knew it. He was taller and better-looking.
Now, perhaps you could argue that Wolverine as a short, stocky, hairy male could be applauded as heroic... just not sexy. And since so much of Hollywood revolves around sex, you have to make your lead character sexy. Personally, though, I'm more cynical than that. I don't think he would have been as easily viewed as sufficiently sexy or heroic, were he not tall.
And notice that out of those three physical attributes that I used to describe the comic book character of Wolverine: shortish, stocky, and hairy, the first two combine to really create the impression of "short", while the last attribute -- "hairy" -- was the only one kept in the final Hugh Jackman character. Apparently "hairy" was acceptable to audiences... perhaps as a sign of virility or something.
My point in all of this is: let's be objective. Would Howard Roark, John Galt, Dominique, or Dagny have been nearly as heroic were they not painstakingly, physically described to us the way that they were?
On an end note... here's a link to a study that dispels the notion that height doesn't matter in other people's eyes: http://www.napa.ufl.edu/2003news/heightsalary.htm
Enjoy.
(Edited by Orion Reasoner on 7/02, 7:11am)
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