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Post 20

Tuesday, July 17, 2007 - 7:31pmSanction this postReply
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The subjectivist metaphysical endings always struck me as a symptom of Heinlein's ability to come up with a great premise but not always to finish it. Friday and Mistress each stand on their own, no matter what else he wrote. As to "not as groundbreaking," that's a weird complaint - it's a relative judgment. If he hadn't written the first, would that make his last better?

In any case, Friday seems to me a much more prescient view of the possible future than Mistress.

Ted Keer


Post 21

Wednesday, July 18, 2007 - 8:01amSanction this postReply
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Heinlein's "This I Beleive" piece is a strong dose of benevolence. Something too often missing these days.

E.

(Edited by Ethan Dawe on 7/18, 8:02am)


Post 22

Friday, July 20, 2007 - 8:45pmSanction this postReply
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    Agreed. For all his apparent 'cantankerous' personality-style (always seemed there 'twixt the lines of his writings), this was worth knowing about him.

LLAP
J:D


Post 23

Monday, July 23, 2007 - 1:52amSanction this postReply
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Ted:

     "Absurd" is an absurd evaluation re any challenge to a writer regarding ability to write from any 'pov.' Not all writers can do Shakespeare (not to be confused with 'mimic' the style). Not all female writers can write like Robert Ludlum or Tom Clancy; not all male writers can write like Erica Jong, Ti-Grace Atkinson or Silvia Plath. I'd say that most writers know this. --- Harlan Ellison might disagree, but...I doubt it.

LLAP
J:D


Post 24

Saturday, August 4, 2007 - 11:20pmSanction this postReply
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John,

My objection was with the ability of a writer to do anything to make his or her characters more "realistically" of the opposite sex (or even of the same as the writer's). Of course there is the standard idea of male characters being interested in women's looks and bedding many women while female characters are supposed to be interested in character and wealth and loyalty - but such things seem like superficialities. And according to the standard cliches, Dagny is quite Masculine while there is something strange about Hank and Frisco's surrender to Galt. In any case, I've certainly never read a character that I would say - now that's an authentic bisexual!

As for being a good writer or being able to copy the style of another writer - that's another thing entirely. I haven't read Plath's prose (I do like some of her poetry) or Jong. Are Rice and Rand and Auel and Le Guin amnd Zimmer Bradley not good female writers?

Heinlein does spend quite a bit of time characterizing his personae in his better books, especially Stranger in a Strange Land, I Will Fear no Evil, and Time Enough for Love. Have you read these? And if so did you find them lacking?

Ted Keer

(Edited by Ted Keer on 8/04, 11:25pm)


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