Definitions of Music and Musical Terms
Musical Etymology
art (n.)
c.1225, "skill as a result of learning or practice," from O.Fr. art, from L. artem, (nom. ars) "art, skill, craft," from PIE *ar-ti- (cf. Skt. rtih "manner, mode;" Gk. arti "just," artios "complete;" Armenian arnam "make," Ger. art "manner, mode"), from base *ar- "fit together, join" (see arm (1)). In M.E. usually with sense of "skill in scholarship and learning" (c.1305), especially in the seven sciences, or liberal arts (divided into the trivium -- grammar, logic, rhetoric -- and the quadrivium --arithmetic, geometry, music, astronomy). This sense remains in Bachelor of Arts, etc. Meaning "human workmanship" (as opposed to nature) is from 1386. Sense of "cunning and trickery" first attested c.1600. Meaning "skill in creative arts" is first recorded 1620; esp. of painting, sculpture, etc., from 1668. Broader sense of the word remains in artless (1589). As an adj. meaning "produced with conscious artistry (as opposed to popular or folk) it is attested from 1890, possibly from infl. of Ger. kunstlied "art song" (cf. art film, 1960; art rock, c.1970). Fine arts, "those which appeal to the mind and the imagination" first recorded 1767. Art brut "art done by prisoners, lunatics, etc.," is 1955, from Fr., lit. "raw art." Artsy "pretentiously artistic" is from 1902. Expression art for art's sake (1836) translates Fr. l'art pour l'art. First record of art critic is from 1865. Arts and crafts "decorative design and handcraft" first attested in the Arts and Crafts Exhibition Society, founded in London, 1888.
music
c.1250, from O.Fr. musique (12c.), from L. musica, from Gk. mousike techne "art of the Muses," from fem. of mousikos "pertaining to the Muses," from Mousa "Muse." In classical Greece, any art in which the Muses presided, but especially music. Meaning "film or theater piece of which song is an essential element" is from 1938.
muse (v.)
"to be absorbed in thought," 1340, from O.Fr. muser (12c.) "to ponder, loiter, waste time," lit. "to stand with one's nose in the air" (or, possibly, "to sniff about" like a dog who has lost the scent), from muse "muzzle," from Gallo-Romance *musa "snout," of unknown origin. Probably influenced in sense by Muse.
Muse
c.1374, protectors of the arts, from L. Musa, from Gk. Mousa, lit. "muse, music, song," from PIE root *mon-/*men-/*mn- "to think, remember" (see mind (n.)). The names of the nine Muses, daughters of Zeus and Mnemosyne (q.v.), and their specialties are traditionally: Calliope (epic poetry), Clio (history), Erato (love poetry, lyric art), Euterpe (music, especially flute), Melpomene (tragedy), Polymnia (hymns), Terpsichore (dance), Thalia (comedy), Urania (astronomy).
tone
1340, from O.Fr. ton (13c.), from L. tonus "a sound, tone, accent," lit. "stretching" (in M.L., a term peculiar to music), from Gk. tonos "vocal pitch, raising of voice, accent, key in music," originally "a stretching, taut string," related to teinein "to stretch" (see tenet). Sense of "manner of speaking" is from 1610. First reference to firmness of body is from 1669. The verb meaning "to impart tone to" is recorded from 1811. Tonal is attested from 1776; atonal first attested 1922; tonality is from 1838.
sound (n.1)
"noise," c.1280, soun, from O.Fr. son, from L. sonus "sound," from PIE *swonos, from base *swen- "to sound" (cf. Skt. svanati "it sounds," svanah "sound, tone;" L. sonare "to sound;" O.Ir. senim "the playing of an instrument;" O.E. geswin "music, song," swinsian "to sing;" O.N. svanr, O.E. swan "swan," prop. "the sounding bird"). The final -d was established c.1350-1550 as part of a tendency to add -d- after -n-. The verb is attested from c.1300, from L. sonare, from sonus.
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