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"Touched By Its Rays" published this month
Posted by Walter Donway on 2/03, 1:46pm
Announcing Publication of Walter Donway's New Book of Poetry


Touched By Its Rays, Walter Donway's new book of poetry, will be published in mid-February and available from www.objectivismstore.com. Touched By Its Rays is a publication of the Atlas Society; all income from its sale will go to support its work. Books can be ordered at a significant discount before February 15 by going to www.objectivismstore.com.

The book will be published in a hardcover first edition that includes almost 40 poems, including two long narratives, “Empire of Earth” and “A Sense of Life,” and a verse play, Naked.

Walter writes poetry within the enduring traditions of English and Americian poetry, the kind of poetry so many of us read and loved when we were growing up and going through school. Although he often writes about complex ideas and feelings, with resonant symbols and allusions, his style is never obscure or “difficult.” These are poems to read aloud and enjoy, to share, and to remember for their lyrical beauty and song.

Atlas Society founder, David Kelley, has commented on the book:

“Walter’s poems cover an astonishing range of subject matter, from love to politics, from parenthood to Hurricane Katrina. There are ballads of great deeds, reflections on moments of experience, wry observations on manners and mores.

“I have my favorites, you will have yours. What the poems have in common is a distinctive blend of thought, feeling, and poetic skill, revealing how the discipline of meter and rhyme is made to serve a wonderfully free and creative imagination.”

Following are a few poems or excerpts from Touched By Its Rays:


In Cortona

Another hill, another town upthrust
As though this Tuscan earth must toss, must lie
Unsleeping, twist and pull its bunching crust,
Expose at last a bared hip to the sky;

Another church, erected where streets cross,
Bestride life's noon--rude, placid, assured that we,
At last, at this sheer face, will own our loss
Is utter and will beg for clemency:

But now I know I cannot enter, here,
Approach another altar notable
For craftsmanship or lift my eyes to peer
At arches (Roman, of local marble).

I wave the others in, but wait; for me,
No church abides behind this storied wall,
No spirit haunts the treasured reliquary
To soften ancient hurts the scenes recall.

Could I for just an hour enter, know
What shudder flung this weight at heaven's face
And gathered all that labor could bestow--
Of beauty, hope, rejoicing--to this place?

I turn at last to steps the Tuscan sky
Has warmed, where children sit and face away
To watch the crowds of tourists flock to buy
Their fancies. I am happy for this day.


How It Was

I had forgotten how to write of love,
Of hair as dark as clouds in May, or hair
As yellow as the poets say; above,
A face that is—what phrase?—ah, more than fair;
And breasts so pert in pink that words go blind.
All that once stopped me, stiff as Perseus
Had he no trick of putting things behind.
Yet, now it seems no more than youthful fuss
About new models coming in '08:
The contours great, how nice a drive would be!
But then, amidst an evening's passionate,
Preposterous chatter, you smiled at me
Across a table, spoke your quiet thought;
And anyhow brown hair, brown glasses, too,
Like things that I had known, but long forgot,
Were writing poems that I would give to you.


Brief excerpt from A Sense of Life

The morning light made glorious the studio's
French doors that framed the black rock cliffs and sea.
She turned to me. “Now take that off,” I said.
“I want you nude.” She made no move. I waited,
Then went to her and drew the belt. Her gaze
Was on the sea. Nor did she move as gently
I lifted the kimono open, back,
Across her shoulders, let it fall. She bent,
Took up the garment, held it out, frowned,
Deliberately folded it just so
And laid it on a chair. “Okay,” she said,
So low I barely heard, and languidly,
The slowness rendering her every step
A frozen frame to linger in the mind,
She walked around the studio. She paused
Before each canvas as a woman dressed
In evening wear might stroll a gallery.
I snatched my pad and charcoal, sketching her
In lines that curved and turned with her movements,
Although I knew on canvas must be what
Was in her face, was in her eyes; but no,
Must be somehow the world that those eyes saw.




Enough for Sunday Morning

All slides along the tilting deck
As reason's very stitching tears,
What comes still shapeless in the fog;
A time is coming for nightmares.

Today, just sun on cobblestones,
Fall friendly in the little street,
Sweet sighing from the bakery,
A bench outside, and one more seat.


Above Tiananmen Square

At first, we wonder why the square
Appears deserted, knowing that scores
Or more had fought and fallen there,
And guess the camera has not shown
The panicked faces glancing back
To where one man now stands alone.

The crowd may clamor with voices
Of warning; but perhaps for him
The moment passed for making choices.
He stands like one arrayed in ranks
To blunt the insensate lunge
Of those preposterous tanks.

Seeing but thin shoulders, askew
With his incongruous bundles,
Who can tell us if he knew
That great deeds irritate our age,
Which inters them in pearls of glory
To spare us inconvenient rage?


La Petit Mort

“Come see this golden bird,” I said.
You dried the pots, and essayed, then,
To press against my back to look
At where my golden bird had been.

“Just listen, dear, what Keats writes here,”
I called to you. And, yes, you came,
After you phoned your sis and mom,
But Keats somehow was not the same.

I see now in the bathroom doorway
Your beautiful nude silhouette,
A still life framed forever there,
Deliberate at your toilette.


And over me has come a cool
Blue stillness of the blood; I lie
And muse that Plato celebrated
This moment when the passions die.

For you does time change nothing--
The real held forever bright
In heaven's static radiance,
As still as deer surprised by light?

Or do we live from pulse to pulse,
Persisting in synaptic blips
That blend as in a motor's hum
That tickles on the fingertips?

It is the self lives pulse to pulse--
And living, knows that life goes by;
And I descry, in moments missed,
A being left alone to die.

By purchasing this book now, at www.objectivismstore.com, you will save 20 percent and make a contribution to the work of the Atlas Society.

For more, check the new Web site, www.TouchedByItsRays.com

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