Robert makes the distinction between the aesthetics of a thing and art. He makes the distinction between crafts and art.
The purpose of the production seems to be the heart of the distinction. A building’s primary purpose is a shelter and therefore not a work of art even though it may rightfully be judged beautiful.
And a photograph is a recording – a utilitarian purpose – although it may still be considered beautiful.
But I’m not sure I agree. What was the purpose in the creator’s mind? Was a photo intended to be art? And what is the primary purpose in how it is used? Is it hung on a wall in an art gallery?
I don’t see that purpose can be applied to an entire medium – like photography – since there may be those who are using it for the purpose of creating art. The question is, "Are any of them succeeding?" And before man had cameras they recorded with sketches and with paintings. We still record to a minor degree with sketches. I don’t think we could say all sketches are recordings anymore than we could say all sketches are art. We need to look at them individually and not by medium but by the definition of art.
If the definition of art is the selective recreation of reality then we are back to the question of how much selectivity is available with photography. We would have to look at any image (painted, sketched, or photographed) and analyze it on its own merits.
I have always thought that outside of fiction (be it a movie, short-story, play or novel) there are problems with identifying what is art. Like Michael asked, What is the reality that music a selective recreation of? Certainly music is intended to be art - purposefully so - and it is intensely selective in whatever is the creation or recreation and it functions emotionally as art does and it has no other, utilitarian usefullness. And, how much of a powerful theme can one get out of an unchanging, two-dimensional image (regardless of the medium)? When you get away from fiction I think it is hard to define what art is and isn't.
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