On Viewing 2001: The First Transhumanist Film
By Edward Hudgins

November 19, 2015 -- I recently saw 2001: A Space Odyssey again on the big screen. That’s the best way to see this visually stunning cinematic poem, like I saw it during its premiere run in 1968. The film’s star, Keir Dullea, attended that recent screening and afterward offered thoughts on director Stanley Kubrick’s awe-inspiring opus.

He and many others have discussed the visions offered in the film. Some have come to pass: video phone calls and iPad tablets, for example. Others, sadly, haven’t: regularly scheduled commercial flights to orbiting space stations and Moon bases.

But what should engage our attention is that the film’s enigmatic central theme of transformation is itself transforming from science fiction to science fact.

From apes to man

The film’s story came from a collaboration between Kubrick and sci-fi great Arthur C. Clarke. If you’re familiar with Clarke’s pre-2001 novel Childhood’s End and his short story “The Sentinel” you’ll recognize themes in the film.

In the film we see a pre-human species on the brink of starvation, struggling to survive. An alien monolith appears and implants in the brain of one of the more curious man-apes, Moonwatcher, an idea. He picks up a bone and bashes in the skull of one of a herd of pigs roaming the landscape. Now he and his tribe will have all the food they need.

We know from Clarke’s novel, written in conjunction with the film script, that the aliens actually alter Moonwatcher’s brain, giving it the capacity for imagination and implanting a vision of him and his tribe filled with food. He sees that there is an alternative to starvation and acts accordingly. The aliens had juiced evolution. Kubrick gives us the famous scene where Moonwatcher throws the bone in the air. As it falls the scene cuts ahead to vehicle drifting through space. Natural evolution over four million years has now transformed ape-men into modern technological humans.

From stars to starchild

In the film, astronauts discover a monolith buried on the Moon, which sends a signal toward Jupiter. A spaceship is sent to investigate, and astronaut Dave Bowman, played by Dullea, discovers a giant monolith in orbit. He enters it and passes through an incredible hyperspacial stargate. At the end of his journey, Bowman is transformed by the unseen aliens’ monolith into a new, higher life form, an embryo-appearing starchild with, we presume, knowledge and powers beyond anything dreamt of by humans. He is transhuman!

Kubrick and Clarke are making obvious references to Nietzsche’s ... (Continue reading here.)