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Thursday, April 14, 2005 - 2:49amSanction this postReply
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That's some tribute, Rodney! Bravo!

I remember Robin from a TJI conference 378 years ago. We corresponded a bit afterward, as I recall. I have his Philosophical Oratorio on audiocassette. It's a riot.

Robin, if you're reading this—hi, after all these years!

Linz

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Thursday, April 14, 2005 - 5:29amSanction this postReply
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Robin is one of the warmest and most benevolent human beings you'll ever meet, too.

Post 2

Thursday, April 14, 2005 - 6:26amSanction this postReply
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Wow!!! Magnificent!!! Thank you for this, Rodney, and many kudos to Robin.

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Thursday, April 14, 2005 - 6:44amSanction this postReply
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Thanks, Rodney, both for your very well-written essay and your choice of subject.  How wonderful to know this was done and done well!

Jason

(Edited by Jason Dixon on 4/14, 6:44am)


Post 4

Thursday, April 14, 2005 - 9:50amSanction this postReply
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I second James on what a nice person he was...and highly skilled in any and all of the performing arts. At more than one of the Jefferson School conferences, he was the organizer of the Talent Show. He handled those of us who were performing poetry or dancing or playing musical instruments with skill and diplomacy when he was cutting or refining long-winded segments. He kept a good balance, alternating between amateurs who should be given a chance in a "talent show" because people want to see their friends and colleagues (briefly) and highly skilled performers who uplift the whole thing. I hadn't realized how hard this is to do, until I volunteered to organize one of the Talent Shows one year he wasn't there. It really makes a difference when a professional does it.

I dated his sister Linda for a time when she lived in Greenwich Village. Also a thoroughly delightful, open and refreshing person. Unfortunately, they have both disappeared and I haven't seen either in years. They both cast sunlight into my life.

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Post 5

Thursday, April 14, 2005 - 5:40pmSanction this postReply
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Wonderful tribute Rodney with lots of color and examples. I thoroughly enjoyed reading it.

 

Regarding posts, I cannot help but comment that you oft respond in very few words, I, for one, would enjoy that you fill them out more with your thoughts.

 

Michael


Post 6

Thursday, April 14, 2005 - 7:03pmSanction this postReply
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Fascinating story, Rodney. Thanks for this. I’ll be listening to the rest of the clips soon, (my three year old wasn’t having any of it.)

Post 7

Monday, August 1, 2005 - 8:08pmSanction this postReply
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I was just a teen back in 1984 and I heard his casette "Three Questions". A friend of mine got it and I listened to it a few times. It was one of my inspirations to my thinking today.If I could just get my hands on it and listen to it in its entirety.Anyone know where I could find it?

Post 8

Friday, August 12, 2005 - 7:55amSanction this postReply
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I too greatly enjoyed Robin Field's oratorio from a cassette purchased in late seventies, I think, and lost in a house fire along with my entire Ayn Rand collection over a forty-year period. I discovered this SOLO site looking just for that tape and would love to find another one. Many thanks.

Post 9

Saturday, January 7, 2006 - 2:19pmSanction this postReply
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Robin Field’s music can be purchased at this site:

 

https://www.shop.classicreadings.com/quickSearch.hg

 

Simply enter “robin field” in the searchin’ field to find details on these items:

 

 



The Bronze Ring

The virtue of honesty is emphasized in this fairy opera, performed by a full professional cast, and written, composed, produced and directed by Robin Field.  Songs include, "The Gardener's Son," "Tell Him Honestly," "Come Travel with Me," "The Little Red Fishes" and "Ring of Bronze."
 

 

The Crystal Palace

The virtue of pride is emphasized in this fairy opera, performed by a full professional cast, and written, composed, produced and directed by Robin Field.  Songs include, "Ah, My Son," "Who Is She?," "A Man of Few Words," "Chatter," "She Liked Me" and "Dear Little Princess."



Daugherty & Field

Special Material

The award-winning musical-comedy team of Bill Daugherty and Robin Field recreate over a dozen original songs from their cabaret, nightclub, hotel, Off-Broadway and concert hall appearances between 1986-1993, including their parody of George Gershwin's "Rhapsody in Blue."


 

Reason in Rhyme
(formerly Three Questions)

This informal introduction to philosophy in song and verse is written, composed and performed live by Robin Field.  Poems include, "What Is So?," "How Do You Know?" and "What Should You Do?" Songs include, "Cause & Effect," "The Universe," "A Is A" and "I Took It from There."


 

Broadway - A Hundred Years Ago

1891

The Original New York Cast of this musical revue, written and directed by Robin Field, portray such early American stars as Henry Clay Barnabee, Eugene Cowles, Jessie Barlett Davis, Thomas Q. Seabrooke, Lydia Thompson and Weber & Fields as they appeared onstage in 1891.

This is the first in a series of seven CDs: 1887, 1888, 1889, 1890, 1891, and 1893.

(Edited by Rodney Rawlings on 1/07, 3:07pm)


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Saturday, May 19, 2007 - 10:41amSanction this postReply
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Someone above asked why I don't often post at length. The reason is the same as the one for my sometimes not responding to posts at all, or not continuing a debate: lack of time to do the job well enough.

I wanted to say this much, however, to dispel any general impression of discourtesy or impatience.

(Edited by Rodney Rawlings on 5/19, 2:25pm)


Post 11

Wednesday, November 7, 2007 - 8:52amSanction this postReply
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Flash! This month and next, Robin will be appearing in two separate productions of Monna Vanna, which Ayn Rand called “one of the greatest plays in all world literature.”

 

Details:

 

November 29–December 16, 2007

At the Stella Adler Theatre

6773 Hollywood Boulevard

Los Angeles, CA 90028

 

and

 

January 12, 2008

Aboard the QCFA Arts Cruise

 

For more information, go to:

 

http://www.monna-vanna.com/cast/

 

(In this case, you must include the final slash!) From that site:

 

Monna Vanna [1902] was Maeterlinck’s first brilliant success. It was played on every important stage in Europe, except in England, where it was forbidden by censor. In 1911, Maeterlinck was honored with the Nobel Prize for literary achievement.

 

It is the late fifteenth century, and the battered city of Pisa faces imminent vanquishment by the superior army of Florence. As the city’s commander prepares for the inevitable end, he receives from the enemy an astonishing offer of rescue. The attack will be called off, the siege will be lifted, the starving city will be resupplied—on one condition. The commander’s wife, a woman revered as the epitome of honor and virtue, must surrender her body for a night to the hated leader of the Florentine army. 

 

There is more on the play’s story at the last-cited link.


Post 12

Wednesday, November 7, 2007 - 9:29amSanction this postReply
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Did you know that:
- Maeterlinck, late in life, sent Rand a fan letter about The Fountainhead?
- Rachmaninoff started an opera on this play but never finished it?  Debussy made one from the same author's Pelléas et Mélisande.
 
(That said, I recall it as a bit of a letdown after a great start.)


Post 13

Wednesday, November 7, 2007 - 9:55amSanction this postReply
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I knew the first fact but not the second.

Funny you should mention Debussy right now: I recently discovered his Arabesque No. 1 in this clip:

http://www.youtube.com/watch?v=Uu4c9NySisU

and have now listened to it about six times, three in this version and three in the original piano arrangement.


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Post 14

Wednesday, November 7, 2007 - 11:20amSanction this postReply
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That is Tomika's performance, from his Snowflakes are Dancing album - love his interpretation of the Engulfed Cathedral.......

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