About
Content
Store
Forum

Rebirth of Reason
War
People
Archives
Objectivism

Post to this threadMark all messages in this thread as readMark all messages in this thread as unreadBack one pagePage 0Page 1Page 2


Sanction: 25, No Sanction: 0
Sanction: 25, No Sanction: 0
Sanction: 25, No Sanction: 0
Post 40

Wednesday, March 28, 2007 - 7:52amSanction this postReply
Bookmark
Link
Edit
Sad to say, the real Spartans were among the most mystical of Greek cultures... Also, perhaps the most collectivist.


And in classical Greek fassion, Frank Miller was not presenting Sparta (and man) as he is or was, but as he ought to be. Physically perfect, morally absolute, passionate and intelligent. This movie is absolutely NOT a historical documentary and to dislike it because it is not historically accurate is to assert that all art must be nothing more than accurate retelling of historical accounts. Is that your definition of Art?

Great post John A.

Post 41

Wednesday, March 28, 2007 - 9:54amSanction this postReply
Bookmark
Link
Edit
This movie is no more about Greek/Persian conflict than Hugo's Ninty-Three was about the French Revolution... is just a backdrop to the issues - the themes - involved in the movie....  which is what a work of art is, properly, all about......
(Edited by robert malcom on 3/28, 9:55am)


Post 42

Thursday, March 29, 2007 - 6:26pmSanction this postReply
Bookmark
Link
Edit
On the other hand, the fact that the author of a work of art has to move from reality to fantasy in order to make his point says something in and of itself.

The real history of the two Spartas is quite fascinating, even when PBS does it.  To answer some of the critics, most of my info comes from the PBS special - "The Spartans" (I believe).  This was not  in the least boring, and I've read enough elsewhere over the years that I think I would have caught something if they were way off the mark.

That said, it would have been more powerful to have taken the reality as the starting point and then diverged into a fictional recreation of history as art.  The early-on throw-away line about the Athenians being "boy-lovers" set a hard pace for cognitive dissonance, given all the information from the PBS special on that subject.  I think that for most Greeks the boy-loving was recreational.  For the Spartans it was mandatory.

I do think of the Spartans and especially the 300 as a kind of benchmark as to how thorougly we humans are capable of self-determination.  The Spartans saw themselves individually and collectively as heros.  Strength, purpose, integrity were primary values to them, and forgiveness was something that weak non-Spartans did.  A Spartan mother, seeing her young son hesitate on the way to battle: (raises here skirt, baring her pubis) "Would you prefer, then, to crawl back in?"

Or, when a son complains to his mother that his sword is too short: "If you but step forward a pace, then you will discover that it is long enough."

(Edited by Phil Osborn on 3/29, 6:31pm)


Sanction: 10, No Sanction: 0
Sanction: 10, No Sanction: 0
Sanction: 10, No Sanction: 0
Post 43

Friday, March 30, 2007 - 6:11amSanction this postReply
Bookmark
Link
Edit

On the other hand, the fact that the author of a work of art has to move from reality to fantasy in order to make his point says something in and of itself.

Yes - that he is an artist, not an historian... and further, it is fiction which the artist, properly, deals with, not fantasy - they are not the same....


Sanction: 5, No Sanction: 0
Sanction: 5, No Sanction: 0
Post 44

Saturday, March 31, 2007 - 12:02pmSanction this postReply
Bookmark
Link
Edit
     I can't believe this aspect (documentary-vs-fiction) of the movie is STILL being argued here.

     Might's well argue about Disney's POCAHONTAS and Shakespeare's RICHARD III...as I pointed out.

     Jeeez-z-z-z.

LLAP
J:D


Sanction: 5, No Sanction: 0
Sanction: 5, No Sanction: 0
Post 45

Saturday, March 31, 2007 - 3:09pmSanction this postReply
Bookmark
Link
Edit
> On the other hand, the fact that the author of a work of art has to move from reality to fantasy in order to make his point says something in and of itself.

It says absolutely nothing. There is endless freedom in how you want to make a point about bravery and loyalty to values and there are no rules whatsoever about which you -must- choose:

A factual historical treatise.
Poetry.
A short story.
A novel.
A painting.
A fantasy or science fiction story or fairy tale or an Aesop's fable.
A concerto or an opera.
.
.
.


Post 46

Sunday, April 1, 2007 - 10:42amSanction this postReply
Bookmark
Link
Edit
The early-on throw-away line about the Athenians being "boy-lovers" set a hard pace for cognitive dissonance, given all the information from the PBS special on that subject. I think that for most Greeks the boy-loving was recreational. For the Spartans it was mandatory.


That's the second time you've said this without offering a reference. I question the validity of this claim and find it nothing more than harping on a non-issue and an effort to inject moral relativism into ancient cultures. There seems to be this myth ancient Greek culture was nothing more than some kind of endless homosexual pedophiliac orgy. I don't understand the fascination with this. It detracts from the important accomplishments made from the birthplace of western civilization. From historical accounts I've read this toleration of homosexual pedophilia from the Ancient Greeks is largely a myth, the Ancient Greeks for the most part did not condone such behavior.

http://www.grecoreport.com/debunking_the_myth_of_homosexuality_in_ancient_greece.htm

We learn as well that "Athens had the strictest laws pertaining to homosexuality of any democracy that has ever existed" (62). In non-democratic Sparta, as well as in democratic Crete and the rest of democratic Hellas, there were similar prohibitions with similar punishments as that meted out in Athens, and Georgiades gives us citations galore to prove his main thesis: "At no time, and in no place, was this practice considered normal behavior, or those engaged in it allowed to go unpunished" (passim)....

Greek vase painting has been a favorite source for the distorters of Greek culture and civilization. Georgiades points out that, of the tens of thousands of vases unearthed so far (the count for just the province of Attica, where Athens is located, is over 80,000), only 30 or so have an overtly homosexual theme; representing, in other words, just .01% of the total (127). When one compares this small percentage to what we see today on TV, in ads, books, magazines, the cinema, etc., one can just imagine what future generations will think of us.


But of course in an effort to degrade the accomplishments of Ancient Greece, Phil Osborne puts his multiculturalist spin on it and says "oh yeah, but they were gay boy lovers!" of which he got from a PBS special. As if PBS has the final authority on what is historical fact?

I couldn't have put it better myself: From the same above link:

Naturally, [Adonis Georgiades] is going to be more than just a little upset over the distortions and outright fabrications circulating in today's multicultural, postmodern world. A world where the unsuspecting and historically challenged are subjected to whatever deconstructed version of reality the purveyors of the kind of putrescent pap think most suits their worldview of "diversity" and "cultural equality." To such dissembling dimwits, Plato, Dr. Ruth, and Chief Seattle are intellectually, ethically, and philosophically equal! As a result, the unique contributions made by the Greeks in the millenniums-old struggle to lift mankind out of the slime of ignorance and superstition are trivialized, ignored, or put into an ersatz context which helps to promote the "isms" in fashion at the moment.

Thus, we discover that the Greeks hated and victimized their women, that they imposed their culture upon the poor, suffering peoples they conquered, that they were heartless slave-owners, that they stole their philosophy from the brown-skinned Egyptians, that they appropriated their alphabet from the Semitic Phoenicians, and that some of their most outstanding personalities -- and even some of their gods and goddesses -- were Black! Those of you who have cracked a respectable number of pre-postmodern books, or are frequent visitors to this site, know that such invidious absurdities are untrue, and can easily be proven to be untrue. The fact remains, however, that such is the blather being hustled these days, and a whole generation of innocent youth is being exposed to this poison: A poison purposely injected into their minds in order to create the stateless, colorless, genderless, faithless, inarticulate, boob-tube-mesmerized, consumer-drones the proponents of this Zyclon-B-of-the-intellect want to inhabit the "Global Village" they are hell-bent on creating.


I found this bit about this supposed "mandatory gay love" that Phil Osburn seems to obsess over:

"Also at 16 a male child was expected to find an older male and begin a "relationship" (Forest, 1968). The word relationship is used because even though there is much evidence to support...this wasn't a homosexual relationship, it was bordering on it. Cicero (Roman philosopher and author) himself is very clear on this stating, "The [Spartans], while they permit all things except [sexual contact] in the love of youths, certainly distinguish the forbidden by a thin wall of partition from the sanctioned, for they allow embraces and a common couch to lovers.(Scanlon, 2005)" This relationship was formed as a way to help educate the boy growing up and as a way to reinforce the boys' masculinity."


http://www.digitalsurvivors.com/archives/growingupspartan.php

I would hardly call that evidence of mandatory man-boy love in Spartan culture. The evidence of this is quite weak.

Now seriously, did you honestly think watching this movie this was some kind of effort at being completely true to historical accounts? Because I would've thought the goat man, deformed monsters with sword hands, and a 14 foot tall Xerxes would've given it away that this was not any attempt at a total 100% historical account? I saw the movie as a retelling of the tale by King Leonidas' aide Dilios as a means to inspire Greece to unite and fight off the Persians, hence the tall tales of "monstrous beasts from the edges of the Persian empire" and the 14 foot tall Xerxes.

But you still seemed to have missed the essentials here. That Ancient Greece had a culture that respected science, philosophy, reason, and at least had a semblance of the application of liberty. Persia was nothing but a totalitarian slave state. There is no moral equivalence. Rarely is a free nation perfect in its application of liberty, but never is there morally equivalence between a nation with free citizens, and a nation enslaved by a tyrant. In fact the ancient Greek language was one of the only ones that even had a word for liberty "Eleftheria".
(Edited by John Armaos
on 4/01, 12:10pm)


Post 47

Monday, April 2, 2007 - 8:19pmSanction this postReply
Bookmark
Link
Edit
http://www.mainlesson.com/display.php?author=morris&book=greek&story=lycurgus

I was looking for a copy of the actual code of Lycurgus, which was the absolute law of all Sparta, but this is a useful reference that goes into many of the details, such as the mandatory communal eating, and the fact that Sparta was oriented to one thing - war.

I note that many of the comments directed toward me seem to ignore what I actually said and this makes me more than a little suspicious that perhaps the writers are trying to obfuscate the issues....


Sanction: 4, No Sanction: 0
Sanction: 4, No Sanction: 0
Post 48

Monday, April 2, 2007 - 8:35pmSanction this postReply
Bookmark
Link
Edit
Phil,

If you feel I'm obfuscating the issue, then help me out here, what was your issue with the film? Historical inaccuracy is not a valid critique, it is a work of art not a documentary. Although granted one can get too carried away with that and take an offensive time in history and put a positive spin on it, but this is hardly the case with Ancient Greece. Most historians regard the Battle of Thermopylae as a pivotal point in history that paved the way for a new era of reason in Greece and subsequently Europe. Most objectivists have a high regard for ancient Greek civilization. So what's left of the issue? You just wish it was more historically accurate? If so why? Because I don't understand the criticism.


(Edited by John Armaos
on 4/02, 8:38pm)


Sanction: 6, No Sanction: 0
Sanction: 6, No Sanction: 0
Post 49

Tuesday, April 3, 2007 - 8:07pmSanction this postReply
Bookmark
Link
Edit
There was a somewhat dreary movie a couple decades back - "Kiss of the Spider Woman" starring William Hurt - about how this gay guy had fallen in love with some character in a schlock German D-Movie made by the NAZIs - and glorifying guess who.  The gay guy is in this nasy Brazilian prison for being gay and his cellmate is this political radical (in there for being a political radical) who finds his gay cellmate's adoration of this handsome NAZI hero, who goes around heroically defeating the French resistance slime and their genetically perverted Jewish supporters, utterly disgusting.  Yet it is only the gay guy's ability to hold onto this image of human perfection that permits him to live through each day of hell in this prison.

So, was the movie, which portrayed evil psychopaths as heros, and truly heroic resistance fighters as despicable sub-human garbage then OK, since it was art?  And since at least one person portrayed in the actual movie was inspired to act heroically himself on the basis of his response to this (gag, barf) "art?"

I have indicatd before that I have both positive and negative inclinations toward the Spartans as such.  Their determination to live strictly in accordance with principle is in some ways quite admirable, however wrong-headed their principles in fact were.  And treating women as full human beings was something of a first.  And, yes, it is true that they likely served to keep out the nasty Persians, and that likely played a role in the development of most of what led to the great accomplishments of the Western World.

Note, however, that if the Spartans had taken over Greece, it might well have been even worse than being made a subject provence of Persia.  The Persians just wanted power and money.  The Spartans had a "cause."  The great thing about Greece was that all these oddball experiments could and did co-exist side by side without constant warfare.  The unique geography of Greece permitted this.  The ratio of the cost of defense versus the cost of attack was much more in favor of the defenders than in most parts of the world.  So, you could safely ride to visit the Spartans and observe how they were getting along and take notes.  And the Spartans could and did regularly travel around Greece, observing the Athenians, for example, and debating with them about the relative merits of their cultures..  However, if the Spartans had taken over, it likely would have been a different story.

In most parts of the world, these small cultural experiments would have been at it tooth and nail.  But the Greek geography encouraged peace and commerce in both good and ideas.  How lucky for us that they did not have a situation like ancient China, for example, with vast easilly traverseable areas from which enormous armies could be called up capable of defeating anyone else who did not have a comparable force.  In that situation, you either put all your resources into defence or you die.  The Greeks were able to live well without putting everything into weapons and walls and warships. 

Anyway, art is a selective recreation of REALITY.  Choosing to make a Spartan, who believed in slave holding, on a communal social structure enforcing egalitarianism, in a state-regimented life, into some kind of freedom fighter is as unreal to me as making a NAZI SS man into one.  I don't obsess, BTW, about "boy-lovers."  I don't even have anything particularly against man-boy love, so long as it's voluntary on both party's parts, which is a trick, however, in itself, given the power imbalance...

I ONLY bruoght up the "boy-lover" quote as an illustration of how much this movie divorced itself from reality.   It "selectively recreated" what wasn't there, and "uncreated" what was.  Would YOU find a movie that glorified the NAZI SS a piece of good art, just because they were portrayed as being true to their cause, and mouthing words about "freedom?"


Post 50

Tuesday, April 3, 2007 - 8:56pmSanction this postReply
Bookmark
Link
Edit
I don't obsess, BTW, about "boy-lovers." I don't even have anything particularly against man-boy love, so long as it's voluntary on both party's parts, which is a trick, however, in itself, given the power imbalance...


You have nothing against child molestation? Yikes!

That's a whole can of worms right there.

Would YOU find a movie that glorified the NAZI SS a piece of good art, just because they were portrayed as being true to their cause, and mouthing words about "freedom?"


I think that's an absurd comparison. In no way were the Spartans like Nazis. Nothing about Nazism was good. But somethings about Sparta and largely ancient Greek sociey were good. The film did offer clear moral distinctions between the Persians and Spartans. It was clear one was better than the other:

-The Persian army was a slave army whereas King Leonidas assembled a volunteer army

-King Xerxes was hedonisic and narcissistic whereas King Leonidas displayed honor, courage and leadership "I would gladly die for any of my men" in response to Xerxes saying he would gladly sacrifice any of his

-Persia intitiated force and offered slavery to the entire Spartan society. Sparta (in typical Greek fashion) responded with defiance.

-King Leonidas despised the Ephors and the old superstitions of Sparta (hence the film took a stance against mysticism)

-The council of elders resembled a parliament or legislature which the King had to answer to (a seperation of governmental powers) as opposed to the outright tyranny of Xerxes

-They indicated gender equality (Spartan women unlike Persian women were allowed to speak)


So, was Spartan society the progressive free society like the ones we live in today? No, but it would be absurd to say there was no application of liberty (The Spartans did have a concept of "Free Greek" and more generally "Eleftheria") and just outright ridiculous to compare it to Nazi Germany.

Post 51

Wednesday, April 4, 2007 - 7:20pmSanction this postReply
Bookmark
Link
Edit
http://rebirthofreason.com/Forum/Dissent/0132.shtml

A Selective Recreation of What OUGHT to Have Been?

Saving me the trouble of retyping Michael's post....

Sanction: 5, No Sanction: 0
Sanction: 5, No Sanction: 0
Post 52

Thursday, April 5, 2007 - 1:28pmSanction this postReply
Bookmark
Link
Edit
Choosing to make a Spartan, who believed in slave holding, on a communal social structure enforcing egalitarianism, in a state-regimented life, into some kind of freedom fighter is as unreal to me as making a NAZI SS man into one. I don't obsess, BTW, about "boy-lovers." I don't even have anything particularly against man-boy love, so long as it's voluntary on both party's parts, which is a trick, however, in itself, given the power imbalance...


You are ignoring the context of course. In a world where EVERY SINGLE HUMAN BEING WHO EXISTED was a slave, where most societies did not even have a WORD for Freedom, only the Ancient Greek civilization did. Every Ancienct Civilization had slavery, ONLY ANCIENT GREECE had freedom, and yes even Sparta had Free men. Only Ancient Greece had the idea of Freedom and the ability for men to achieve it.

NAZI's on the other hand, advocated forced nationalist servitude in a time where half the world had decent (though flawed) systems systems which were based on freedom, where nearly every culture had the concept and words for Freedom.

Nazism was a giant step backward in a world of freedom, Spartan and Greek civilizations were a giant step forward in a world of totalitarian enslavement. They are NOT the same thing.

If you were to make a movie glorifying extreme nationalism and dictatorial Rule, NAZI germany is an optimal setting, if you are making a movie defending and glorifying freedom and reason, Ancient Greece is an excellent setting.


Sanction: 4, No Sanction: 0
Sanction: 4, No Sanction: 0
Post 53

Sunday, April 8, 2007 - 10:58pmSanction this postReply
Bookmark
Link
Edit
My favorite line (from the one-eyed guy at the ending), paraphrased ...

"We will rescue the world from mysticism and tyranny, and usher in an age of light and reason like never seen before."

Or something very much like that.

How beautiful and inspiring. And kudos goes out to the writers, director, and actors who participated in bringing such genuine beauty (i.e., such a marriage of the true and the good) to the big screen.

Bravo, Hollywood. You've done a very good thing here. Keep it up.

Ed


Post 54

Monday, April 9, 2007 - 8:09pmSanction this postReply
Bookmark
Link
Edit
I just saw "Black Book" this past weekend.  WHAT a thriller! 

However, I had some similar misgivings to those that I had with 300.  In Black Book, the guy who plays the playwright in "The Lives of Others," is given the role of an SS officer who is secretly a really good guy, who collects stamps....  Somehow, after watching her entire family be gunned down by this guy's subordinate, the heroine sees thru to his essential humanity and falls in love with him..

SORRY!  I don't buy it....


Post 55

Friday, September 28, 2007 - 5:16pmSanction this postReply
Bookmark
Link
Edit
~ There might be some place for a comparison of  ye ancient Spartans with NAZIs, but, it'd be on a par with comparing present-day blue-eyed blondes with them: probably noticeable, but, upon checking, very superficial.
~ Sparta never historically showed 'imperialism', due to its own historical concerns about keeping its Helot slaves from revolting, true; had to have a 'national guard' merely for that. Apart from that, who knows? But, such has to be pure guesswork: consider Sparta's history of accepting mercenary jobs (losing soldiers thereby), weeding out its born-unfit, and its 'tough-love' raising (which presumably includes 'flunkees' joining the Helots.) This didn't allow for speedy pop-growth, ergo imperialistic concerns.

LLAP
J:D

(Edited by John Dailey on 9/28, 5:18pm)


Post 56

Friday, September 28, 2007 - 5:33pmSanction this postReply
Bookmark
Link
Edit
     Couldn't 'PS' this, but, have to add: picked up the DVD when it came out. I hadn't caught Miller's 'graphic [!] novel', but, the DVD exceeded *my* expectations.

     The script was great, the 'artistic license' well (aka not-'overly') done, and the photography (c-g, whatever) was fantastic in its color-tone ambience; and of course, the fighting-choreography was...fascinating. Butler, Heady, Santoro, even Tiernan, were all great.

     The 'special features' (on the 2-disc pack) was worth checking also, given Miller's comments.

LLAP
J:D

(Edited by John Dailey on 9/28, 5:34pm)


Post to this threadBack one pagePage 0Page 1Page 2


User ID Password or create a free account.