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Ok, Ted...you're hitting on something here...she had not found love for herself previously, and had rather given up on the prospect. And, to delve headfirst (no pun intended) into the psychological aspect here, I believe that her ability and desire to treat men the way she did was actually an expression of a need to do so...what I mean is, she would have loved, and much preferred, to lavish that kind of loving attention on one man, her soul mate. But he did not exist. So her clients were a kind of outlet for her own needs, though they never knew it.
And she did get kind of a chuckle knowing that she "could leave them wanting more"...though, once again, not strictly in the sexual sense. You see, her clients were not Objectivist men, though they were definitely prime movers and producers. Nina was more charming, more attentive, and far more intelligent than any of their trophy wives, and this is what kept them coming back, but if you cornered one of these men and asked him to compare Nina to his wife, he would probably not understand why. In the story, I hinted at the kind of anti-conceptual mentality (the scholars on the board will correct me if I am using that Randian term incorrectly) that would still allow any of these men to view Nina as a whore---a wonderful, fantastic and utterly charming whore who brings them much joy---but a whore nonetheless, and therefore not really in a category to be compared with the women they've deemed worthy of actual marriage. (I couldn't wait to explore that angle..I love ripping apart people who regularly employ two distinct sets of logic that unavoidably work at cross purposes in their head!)
Now, I am aware that the psychological basis for some of Nina's actions may not strike anyone as "healthy or proper", especially by Objectivist standards. But I make no apologies for them. I once explained to a friend that I wanted to create characters that were clearly guided by Objectivism, but who possessed the real psychological baggage and personal failings that we all do. As wonderful, and inspiring, as Dagny, and John, and Howard are, these people are perfect. Never a nagging doubt, never a misstep. I understood that they represented an ideal...something to which we could all strive. I started writing Nina (as well as other characters) because I found myself wanting to get lost in a story of people who reminded me more of myself. No, I'm not a courtesan :-( (But I can't claim to have run away from home at 12 and made my own fortune, either. :-)
As for your question about Heinlein's "Friday"...no I have not read this, but after seeing the reviews on Amazon (as well as your own esteemed recommendation) I will be picking this up. Thanks Ted.
Teresa,
Erica, you simply MUST give the religious right something else to wring their hands over! <g> Oh, the anticipation...
Indeed, that alone may be the reason I simply must carry on...
Erica Schulz
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